🌤️ Ayasofya Müzesi Ingilizce Tanıtımı Kısa
OrtahisarAyasofya Camii tarihi boyunca sadece bir asır önceki kısa süreli Rus işgali sırasında depo haline dönüştürülerek mabet vasfına aykırı şekilde kullanılmıştır. Trabzon Ayasofya Müzesi’nin açılışı ise Kültür ve Turizm Bakan Yardımcısı Ahmet Misbah Demircan vile diğer yetkililer tarafından Sümela
OsmanlıBilimi Araştırmaları - Studies in Ottoman Science, bilim, teknoloji ve tıp tarihi konularında hakem değerlendirmesinden geçmiş, Türkçe, İngilizce, Fransızca ve Almanca dillerinde yazılmış orijinal araştırma makaleleri, derleme makaleler, çeviri makaleler yanında, araştırma notları, katkılar, kitap tanıtımları ve toplantı raporları yayımlar.
Türkçe Ayasofya , Türkiyenin en ünlü müzesi ve mimarinin en büyük m - İngilizce: Sophia is one of Turkey's most famous museums and architectu. Türkçe-İngilizce cümle çeviri sistemi Ayasofya , Türkiyenin en ünlü müzesi ve mimarinin en büyük mucizelerinden biridir. İngilizce.
EMSALSİZTEVAZU Ürdün’de Osmanlılardan kalma tren rayları Üzerinde şöyle yazıyor: "Hâzâ min hayrâti emîri’l-mü’minîn Sultan Abdülhamîd Hân Gâzî azzehu ve nasarahu (Bu, müminlerin emiri Gâzi Sultan Abdülhamîd Hanın hayratındandır. Allah onu aziz ve
GEZELİMGÖRELİM "Ayasofya Müzesi " Şubat 05, 2013 Ayasofya Müzesi , gezelim görelim , Hagia Sophia , istanbul camileri , kendi yazılarım , seyahat ve gezi Ayasofya Müzesi Altı yıl (532-538) gibi çok kısa bir sürede inşa edilen
AyasofyaMüzesi’ni İngilizce olarak tanıtır mısınız? The Church of the Holy Wisdom, known as Hagia Sophia (Άγια Σοφία) in Greek, Sancta Sophia in Latin, and Ayasofya or Aya Sofya in Turkish, is a former Byzantine church and former Ottoman mosque in Istanbul. Now a museum, Hagia Sophia is universally acknowledged as one of the great
ayasofyacami ingilizce tanıtımı Hagia Sofia. Hagia Sofia is a former patriarchal basilica, later a mosque, now a museum, in Istanbul, Turkey. Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture. It was considered the largest Christian Church in the world for nearly a thousand years, until the
SultanahmetMesleki ve Teknik Anadolu Lisesi Kısaca. Yabancı Dil İngilizce; Yerleşim Yeri Küçük Ayasofya, Kadırga Meydan No7, 34122 Kadırga Polis Karakolu Arkası Kadırga, Fatih / İSTANBUL Okul çok güzel bazen turistler gezerdi okulu biz orta bahçeye geçerdik okulun içinde müze var deniz manzaralı ve bizim
SultanAhmet Camii ve Külliyesi. İstanbul’un Eminönü ilçesinde, Ayasofya’nın karşısındadır. Mimarı, Mimar Sinan öldükten sonra baş mimarlığa getirilen Sedefkâr Mehmed Ağa’dır. I. Ahmet tarafından 1609 yılında büyük bir törenle yapımına başlanmış ve 1616 yılında tamamlananmış olan Sultan Ahmet Külliyesi
TOZed. Dolmabahçe Palace PresentationBeşiktaş coast area where Dolmabahçe Palace is located in an area that was an important place for the shipping work as a bay of Bosphorus. It’s a natural bay to which the ships have sheltered since the ancient time and it attired the attention of the governors at Byzantium Era. So they built royal palaces around the area. Ottoman EraThis area was used as a port for the navy ships and there were also navy ceremonies being organized there. It was later on filled up and then named as Dolmabağçe. The royal people officially lived in the Topkapı Palace but Dolmabahçe Palace was also a good place to visit for them. It was kind of a private garden of the sultan and the members of the royal family. This area consisting of mansions and gardens was named ’Beşiktaş Coastline Palace’’ till the 19th Brief History of Dolmabahçe PalaceIt’s located in the coastline area started from Beşiktaş to Kabataş. Its survey is square meters. Its construction started in 1843 and completed in 1856. This palace costed Sultan Abdülmecit for golds yet he could live there only for 5 years. Republic EraDuring the republic era, this place was Atatürk’s home in İstanbul when he visited İstanbul. The most important thing having been experienced in this palace is the death of Atatürk on 10 November 1938 in the palace. He died in room number 71. People showed him their respect while his tomb was waiting in the Muayede Salle. After Atatürk, this palace was used by İsmet İnönü during his president duty when he visited İstanbul. After the end of an only political part era, it was used to host the foreigner diplomats coming to İstanbul. Italian president Gronchi, King of Iraq Faysal, Indonesia president Sukarno, French president General de Gaulle were among the important foreigners being hosted in the palace. Turning into A MuseumIn 1952, it was decided to let the people visit the palace for one day in a week. Later on, in 1971, it was closed to visits again. It was reopened and reclosed later. In the end, on 16 July 1981, it was opened to visits again. To attire attention, the palace was divided into sections like Shahzaade Room and Harem. The Palace has been on service as a museum since palace was constructed emulating the memorial sides of the European palaces so it’s impossible to connect it to a style of architecture. As there’s not an architecture school of Dolmabahçe Palace of its own, it’s a combination of French Baroque, German Rococo, British Neo-Classism and Italians Renaissance. However, it was an Ottoman palace. No matter how much they were inspired by the West architecture, they also combined it with the Ottoman style regarding the needs of the royal family. How to Go to Dolmabahçe Palace?Dolmabahçe Palace is located in the centre of Istanbul, so it’s really easy to go there. It’s in Dolmabahçe Street, Beşiktaş. If you are going to go to the palace from Taksim, it takes around 20 minutes to walk. Or you can walk to the palace from Beşiktaş which is around 15 minutes. If you want to take a public bus, you can take one from central sites of İstanbul, like Eminönü, Levent, Etiler, Mecidiyeköy or Şişli. You should take a bus heading Beşiktaş. If you are coming from Asian Side, you can take a ferry from Üsküdar or Kadıköy and then from Beşiktaş ferry station you can walk to the Sarayı’nın bulunduğu Beşiktaş sahil kısmı, Boğaz’ın bir koyu olmasından ötürü her daim denizcilik ve gemicilik için önemli bir yer olmuştur. Bu sahil, antik zamanlardan beri gemilerin sığındığı doğal bir limandı ve Bizans zamanında bu şekilde yöneticilerin dikkatini çekmişti. Yöneticiler bu sahil bölgesi ve etrafına saraylar inşa etti. Osmanlı DönemiOsmanlı Döneminde bu bölge, donanma gemileri için kullanılıyordu. Donanma törenleri de burada yapılıyordu. Ardından sahil kısmı dolduruldu ve ’Dolmabağçe’’ adını aldı. Her ne kadar hanedan üyeleri Topkapı Sarayı’nda yaşasalar da, Dolmabahçe Saray’ı çok sık ziyaret ettikleri bir yerdi. Dolmabahçe Sarayı o zamanlar padişah ve ailesinin has bahçesi gibiydi. 19. Yüzyıla kadar, köşkler ve bahçelerin bulunduğu bu alana ’ Beşiktaş Sahil Sarayı’’ deniliyordu. Dolmabahçe’nin Kısa TarihiDolmabahçe Saray’ı, Beşiktaş-Kabataş arasında, metre karelik bir alanı kapsar. İnşasına 1843 yılında başlanmış ve inşası 1856 yılında tamamlanmıştır. Bu sarayın yapımı, Sultan Abdülmecit’e altına mal olmuştur. Buna rağmen sultan bu sarayda yalnızca 5 yıl yaşayabilmiştir. Cumhuriyet DönemiCumhuriyet Döneminde, Dolmabahçe Sarayı, Atatürk’ün İstanbul’a geldiğinde ikamet ettiği yerdi. Bu sarayda yaşanan en önemli olay, Atatürk’ün 10 Kasım 1938 sabahı, sarayın 71 numaralı odasında hayatını kaybetmesidir. Atatürk’ün naaşı Muayede Salonu’nda bekletilirken, önünden geçen insanlar ona saygılarını göstermiştir. Atatürk’ten sonra, Dolmabahçe Sarayı, cumhurbaşkanlığı sırasında yaptığı İstanbul ziyaretlerinde, İsmet İnönü tarafından kullanılmıştır. Tek partili dönem sonrasında, Dolmabahçe Sarayı, İstanbul’a gelen yabancı ziyaretçileri ağırlamak için kullanılmıştır. İtalya cumhurbaşkanı Gronchi, Irak kralı Faysal, Endonezya Cumhurbaşkanı Sukarno, Fransız Cumhurbaşkanı General de Gaulle bu sarayda ağırlanan önemli misafirlerden yalnızca birkaçıdır. Müzeye Dönüştürülmesi 1952 yılında, sarayın haftada bir kereye mahsus halkın ziyaretine açılmasına karar verilmiştir. Ama 1971’de, tekrar ziyarete kapatılmıştır. Bu sure sonrasında, birkaç kez ziyarete açılıp kapatılan saray, 16 Temmuz 1982’de tekrar ziyarete açılmıştır. Sarayda, halkın ilgisini çekmek için Veliaht Odası ve Harem gibi odalar açılmıştır. Dolmabahçe Sarayı 1984 yılından beri müze olarak hizmet vermektedir. MimarisiDolmabahçe Sarayı, Avrupa’daki anıtlara Özenilerek inşa edilmiştir. Bu sebeple kendine has bir mimari tarzı yoktur. Fransız Barok’u, Alman Rokokosu, İngiliz Neoklasizmi ve İtalyan Rönesans’ının bir birleşimidir. Her ne kadar Avrupa mimarisinden etkilenerek yapılsa da, Dolmabahçe Saray’ı bir Osmanlı Sarayı’dır ve hanedan üyelerinin ihtiyaçlarına yönelik olarak düzenlenmiştir. Dolmabahçe Sarayı’na Nasıl Gidilir? Dolmabahçe Sarayı İstanbul’un kalbinde bulunur. Bu sebeple saraya gitmek çok kolaydır. Eğer Dolmabahçe Sarayı’na, Taksim’den gidecekseniz, yürüyerek 20 dakikada ulaşabilirsiniz. Aynı şekilde Beşiktaş’tan da yürüyerek 15 dakikada saraya ulaşmak mümkündür. Eğer saraya toplu taşıma kullanarak gitmek istiyorsanız, Eminönü, Levent, Etiler, Mecidiköy ya da Şişli gibi İstanbul’un merkezi noktalarından Beşiktaş yönüne giden otobüslere binebilirsiniz. Eğer Anadolu Yakası’ndan geliyorsanız, Üsküdar ya da Kadıköy’den Beşiktaş vapuruna binip, iskeleden saraya yürüyerek ulaşabilirsiniz.
Ayasofya Müzesi’ni İngilizce olarak tanıtır mısınız? The Church of the Holy Wisdom, known as Hagia Sophia Άγια οφία in Greek, Sancta Sophia in Latin, and Ayasofya or Aya Sofya in Turkish, is a former Byzantine church and former Ottoman mosque in Istanbul. Now a museum, Hagia Sophia is universally acknowledged as one of the great buildings of the world. HistoryUnfortunately nothing remains of the original Hagia Sophia, which was built on this site in the fourth century by Constantine the Great. Constantine was the first Christian emperor and the founder of the city of Constantinople, which he called “the New Rome.” The Hagia Sophia was one of several great churches he built in important cities throughout his empire. Following the destruction of Constantine’s church, a second was built by his son Constantius and the emperor Theodosius the Great. This second church was burned down during the Nika riots of 532, though fragments of it have been excavated and can be seen Sophia was rebuilt in her present form between 532 and 537 under the personal supervision of Emperor Justinian I. It is one of the greatest surviving examples of Byzantine architecture, rich with mosaics and marble pillars and coverings. After completion, Justinian is said to have exclaimed, Νενίκηκά ε ολομών “Solomon, I have outdone thee!”. The architects of the church were Isidore of Miletus and Anthemius of Tralles, who were professors of geometry at the University of Constantinople. Their work was a technical triumph, even though the structure was severely damaged several times by earthquakes. The original dome collapsed after an earthquake in 558 and its replacement fell in 563. Steps were taken to better secure the dome, but there were additional partial collapses in 989 and 1346. Justinian’s basilica was at once the culminating architectural achievement of Late Antiquity and the first masterpiece of Byzantine architecture. Its influence, both architecturally and liturgically, was widespread and enduring in the Eastern Orthodox, Roman Catholic, and Muslim worlds alike. For over 900 years the Hagia Sophia was the seat of the Orthodox Patriarch of Constantinople and a principal setting for church councils and imperial ceremonies. In 1204 the cathedral was ruthlessly attacked, desecrated and plundered by the Crusaders, who also forcibly replaced the Patriarch of Constantinople with a Latin bishop. This event cemented the division of the Greek Orthodox and Roman Catholic churches that began with the “Great Schism” of 1054. Many of Hagia Sophia’s riches can be seen today not in Istanbul, but in the treasury of St. Mark’s Basilica in Venice. Despite this setback, Hagia Sophia remained a functioning church until May 29, 1453, when Sultan Mehmet the Conqueror entered triumphantly into the city of Constantinople. He was amazed at the beauty of the Hagia Sophia and immediately converted it into his imperial mosque. Hagia Sophia served as the principal mosque of Istanbul for almost 500 years. It became a model for many of the Ottoman mosques of Istanbul such as the Blue Mosque, the Suleiman Mosque, the Shehzade Mosque and the Rustem Pasha Mosque. No major structural changes were made at first; the addition of a mihrab prayer niche, minbar pulpit and a wooden minaret made a mosque out of the church. At some early point, all the faces depicted in the church’s mosaics were covered in plaster due to the Islamic prohibition of figurative imagery. Various additions were made over the centuries by successive sultans. Sultan Mehmed II built a madrasa religious school near the mosque and organized a waqf for its expenses. Extensive restorations were conducted by Mimar Sinan during the rule of Selim II, including the original sultan’s loge and another minaret. Mimar Sinan built the mausoleum of Selim II to the southeast of the mosque in 1577 and the mausoleums of Murad III and Mehmed III were built next to it in the 1600s. Mahmud I ordered a restoration of the mosque in 1739 and added an ablution fountain, Koranic school, soup kitchen and library, making the mosque the center of a social complex. The most famous restoration of the Hagia Sophia was completed between 1847-49 by Abdülmecid II, who invited Swiss architects Gaspare and Guiseppe Fossati to renovate the mosque. The brothers consolidated the dome and vaults, straightened columns,and revised the decoration of the exterior and the interior. The discovery of the figural mosaics after the secularization of Hagia Sophia was guided by the descriptions of the Fossati brothers, who had uncovered them a century earlier for cleaning and recording. The Fossatis also added the calligraphic roundels that remain today. They were commissioned to calligrapher Kazasker Izzet Efendi and replaced older panels hanging on the piers. In 1934, under Turkish president Kemal Atatürk, Hagia Sofia was secularized and turned into the Ayasofya Museum. The prayer rugs were removed, revealing the marble beneath, but the mosaics remained largely plastered over and the building was allowed to decay for some time. Some of the calligraphic panels were moved to other mosques, but eight roundels were left and can still be seen today. A 1993 UNESCO mission to Turkey noted falling plaster, dirty marble facings, broken windows, decorative paintings damaged by moisture, and ill-maintained lead roofing. Cleaning, roofing and restoration have since been undertaken; many recent visitors have found their view obstructed by a huge scaffolding stretching up into the dome in the center of the nave. What to SeeFor a more visual description, see our interactive Hagia Sophia Floor Plan or browse our Hagia Sophia Photo Gallery. Click links in the text for photos. The Hagia Sophia has a classical basilica plan. The main ground plan of the building is a rectangle, 230 feet 70 m in width and 246 feet 75 m in length. The area is covered by a central dome photo of outside and inside with a diameter of 31 meters 102 feet, which is just slightly smaller than that of the Pantheon in Rome. The main dome is carried on pendentives four concave triangular sections of masonry which solve the problem of setting the circular base of a dome on a rectangular base. Each pendentive is decorated with a seraphim. The weight of the dome passes through the pendentives to four massive piers at the corners, and between them the dome seems to float upon four great arches. At the western and eastern ends, the arched openings are extended by semi-domes. The flat wall on each side of the interior north and south is called a tympanum, and each one has 12 large windows in two rows, seven in the lower and five in the upper. Just outside the entrance, stone cannonballs line the gravel path of the outer courtyard. These are the actual cannonballs used by Mehmet the Conqueror in his victorious 1453 battle for the city. All interior surfaces are sheathed with polychrome marble, green and white with purple porphyry, and gold mosaics. On the exterior, simple stuccoed walls reveal the clarity of massed vaults and domes. The Islamic calligraphic roundels suspended from the main dome since the 19th century remain in place and make for a fascinating religious contrast with the uncovered Christian mosaics. The names painted on the eight wooden medallions are Allah and Muhammad flanking the apse; the first four Caliphs Abu Bakr, Umar, Uthman and Ali at the four corners of the dome; and the two grandsons of Mohammed, Hasan and Husayn in the nave. The Byzantine mosaics are being gradually uncovered, but only those on the higher gallery levels, which can be accessed by stairways on the payment of a fee. This means that Muslims do not have to confront much Christian imagery in the main chamber of the building, which was a mosque for nearly 500 years and retains all the equipment of a mosque. When the Hagia Sophia was used as a place of worship, both for Christians and then for Muslims, the focus of the building was the east end, directly across from the entrance. This is because Christian churches are traditionally oriented towards the east, and Muslims always pray facing Mecca, which is east of Istanbul. Thus the bulk of interesting sights are clustered in this area of the Hagia Sophia’s huge nave. At ground level, most of the sights date from the Islamic period. A beautiful marble structure in the apse is the mihrab, a niche found in all mosques that indicates the direction of Mecca. The large freestanding stairway to the right of the mihrab is the minbar, or pulpit from which sermons were given. To the left of the mihrab is the grand sultan’s loge, built by the Fossati brothers who restored the Hagia Sophia in the 1800s. Looking up from this area, one sees a splendid apse mosaic depicting the Virgin and Child. On the right is a partly damaged Archangel Gabriel mosaic. Gabriel used to face an Archangel Michael mosaic on the other side of the apse, but this is now almost entirely gone. The most famous of the Hagia Sophia’s mosaics are on the upper floor, in the galleries. The South Gallery, where the great mosaics are, was used for church councils. When the Hagia Sophia was a mosque, the galleries were the place where women sat during worship services. Today, the galleries provide visitors with a commanding view of the nave from all sides and a closeup view of some of the best Byzantine mosaics to be seen anywhere. The best-known mosaic is called the Deësis Mosaic, and it is the first you come to as you enter the South Gallery through the Marble Door. It depicts a triumphant and kingly Christ known as “Christ Pantrocrator”, flanked by the Virgin Mary and John the Baptist. At the end of the South Gallery are two golden Byzantine mosaics. On the left is Christ with Emperor Constantine IX Monomachus and Empress Zoe; on the right is the Virgin and Child with Emperor John II Comnenus and Empress Irene. The modern exit from the Hagia Sophia is through the Vestibule of the Warriors, so called because it is where the emperor’s bodyguards waited while he worshipped. Up high and behind you as you walk out is a splendid mosaic of the Virgin with Constantine and Justinian. Constantine the Great presents to the Virgin a model of the city of Constantinople Istanbul, which he founded, and Emperor Justinian presents the church of the Hagia Sophia, which he rebuilt. This mosaic dates probably from the 10th century. There are several interesting things to see outside Hagia Sophia, including three mausoleums of sultans, the church’s baptistery, and the excavated remains of Theodosius’ Hagia Sophia.
ayasofya müzesi ingilizce tanıtımı kısa
